Peter Androsch is a sound artist: shaping sound, understanding sound, holding onto sound. Sound is not just sound rather sound waves. His extensive work is shown here within the four categories of composing, playing, phonography and the Hörstadt.

Androsch is a philosopher and a jack of all trades at the same time, a conceptual carnival artist. He knows his way around silence.
Eleonore Büning in the “Frankfurter Allgemeinen Zeitung” 2013
Dagmar Ellen Fischer nominates in “Die Deutsche Bühne” “Golden Coast – A Report for An Academy” by Peter Androsch for the best Opera of the season 2017/18!
Die Deutsche Bühne, issue 8/2018

die-schule.at – the fascinating history of a school from 1918 to the present day!
* Die Schule oder das Alphabet der Welt (The School or The Alphabet of the World) – Music theatre by Peter Androsch (texts by Bernhard Doppler, Silke Dörner and Peter Androsch) with ten performances and a lot of accompanying programs
* 15.01., 18.00 Quarter Walk (Meeting point Spittelwiese 14, 4020 Linz)
* 17.01., 7.52 Leporello, Radio OE1
* 19.01. Musiktheater Linz 19.30 Introduction, 20.00 Premiere Die Schule oder das Alphabet der Welt
* 22.01., 18.00 Quarter Walk
* 23.01. Musiktheater Linz 19.30 Introduction, 20.00 Performance Die Schule oder das Alphabet der Welt
* 26.01. Musiktheater Linz # Am Sonntag in die Schule, 15:00 Auf der Suche nach Frieda: Zwei Detektive auf den Spuren von Frieda Schauberger, 15.45 Die Frau von gegenüber: Fensterln bei Schriftstellerin Enrica von Handel-Mazzetti, 16.30 Introduction, 17.00 Performance Die Schule oder das Alphabet der Welt, 19.15 Mythos Geli Raubal mit dem Schriftsteller Volker Elis Pilgrim, 20:30 Das Klassenzimmer als Bühne. Die Schulstunde aus ethnopädagogischer Perspektive mit Bernhard Doppler und Andreas von Studnitz
* 29.01., 18.00 Quarter Walk, Musiktheater Linz 19.30 Introduction, 20.00 Performance Die Schule oder das Alphabet der Welt
* 04.02., 19.30 Introduction, 20.00 Performance Die Schule oder das Alphabet der Welt
* 05.02., 18.00 Quarter Walk
* 06.02., 19.30 Introduction, 20.00 Performance Die Schule oder das Alphabet der Welt
* 09.02. Musiktheater Linz # Am Sonntag in die Schule, 15.00 Schule im NS. Die Herrschaft der Rowdys – Politische Haltung als Theaterkostüm, 16.30 Introduction, 17.00 Performance Die Schule oder das Alphabet der Welt, 19.15 Mythos Geli Raubal mit der Historikerin Heike B. Görtemaker, 20.30 Klassentreffen: Absolventen erinnern sich, Beobachter kommentieren.
* 11.02., 19.30 Uhr: Introction, 20.00 Performance Die Schule oder das Alphabet der Welt
* 12.02., 18.00 Quarter Walk
* 13.02., 19.30 Introduction, 20.00 Last Performance Die Schule oder das Alphabet der Welt
März, Feature concerning DIE SCHULE by Andreas Wolf, Radio OE1
* Immer Schaufenster Fensterschau in the windows of Akademisches Gymnasium
* Immer Hörbilder listen to at www.die-schule.at
* Bis 13. Februar: Schausachen concerning DIE SCHULE by Natalie Pichler in the windows of the theatres of Landestheater Linz

Composing

Ever since the 1980s composing has played a central part in the creative work of Peter Androsch. Particularly in the area of musical theatre his particular fortitude in artistic creation can be seen, a strength that combines theatre, sound, and space: “Peter Androsch composes in the same way that Man Ray created his first Dada piece”, says Wolfgang Schlag in the Pasticcio in the cultural program of OE1 in 2007.

works

Playing

After extensive touring in his younger days (tours through Austria, East- and West Germany, Switzerland, Spain, Yugoslavia, Hungary, Belgium, Italy, Portugal, USA, and Africa) actively playing has become an integral part in Peter Androsch’s work once again. Together with his colleagues Didi Bruckmayr and Bernd Preinfalk he regularly plays contemporary chamber music as “Dr. Didi”.

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Phonography

Peter Androsch has dubbed his sound-writings Phonographies. What originally began as the creation of more or less dense landscapes of writing by layering his own musical manuscripts, has developed into creating sound-paintings based on the musical scores, manuscripts, sketches, and typescripts of other artists.

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Hörstadt

The concept for the Hörstadt was developed in 2006 as a central piece in the musical department of the cultural capital of Europe of 2009 in Linz, of which Peter Androsch was the head. It was conceived as a laboratory for acoustics, space, and society, and so the Hörstadt was able to develop new methods such as  anthropological acoustics and inclusive acoustics. Its central concern is designing the acoustic surroundings as humanely as possible.

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→ Composing

→ Playing

→ Hörstadt

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