Peter Androsch is a sound artist: shaping sound, understanding sound, holding onto sound. Sound is not just sound rather sound waves. His extensive work is shown here within the four categories of composing, playing, phonography and the Hörstadt.

Androsch is a philosopher and a jack of all trades at the same time, a conceptual carnival artist. He knows his way around silence.
Eleonore Büning in the “Frankfurter Allgemeinen Zeitung” 2013
Dagmar Ellen Fischer nominates in “Die Deutsche Bühne” “Golden Coast – A Report for An Academy” by Peter Androsch for the best Opera of the season 2017/18!
Die Deutsche Bühne, issue 8/2018

* “IN ROCKLAND – Observations in in Trumpistan”, cinematic trip report through the USA, TV-broadcast: 24 march 2019, 9.00-10.35, ORF III * For the ensemble “CrossNova” I wrote “TRADITIONELLE GRAMMATIK”, a piece which consists of only one chord (premiere: 28 march 2019, Abonnementkonzert, music school Wels) * Exhibition participation “KUNSTRADLN in Millstatt 2019” (opening 10 mai 2019, 14.00): 62 artists present their works in 30 locations in Millstatt/Kärnten: 11 mai to 28 octobre 2019 ( * WUNDERKAMMER OBERÖSTERREICH: “Wiar a Hünderl sein Herrn”, Exhibition participation – sound installation (opening: 10 mai 2019, 18.00), Oö Kulturquartier, Linz, 11 mai to 13 octobre 2019 * LANDGÄNGE – for the 7th time Bernd Preinfalk and I present the day of advanced music in St. Peter near Freistadt, 23 june 2019, * CREDO – I believe, concert installation with students from three schools, 27 june 2019, 10.00 und 19.30, Brucknerhaus Linz * Ars Electronica Festival: 10 YEARS HÖRSTADT, Volksgarten Linz * INSTANT BRUCKNER – students from the music school Linz, Bruckner-variations for  accordion, 5 to 7 septembre 2019 * REVERB – International Festival for Reverb, Space and Music, 21 septembre 2019, 5.00-24.00, * ARCHITECTURAL ART, Kindergarten Sintstraße Linz (GWG), Glasbilder, Wandmalerei, Geophone, opening septembre 2019 * HEARING WALKS in Linz, Advent 2019 * DIE SCHULE ODER DAS ALPHABET DER WELT, premier New Music Theatre, 19 january 2020 * PHONOGRAPHS, exhibition Nova Gorica Arts Centre, Slowenia, opening 8 mai 2020 * DR. DIDI performance, Nova Gorica Arts Centre, 20 mai 2020 * LANDGÄNGE – day of advanced music in St. Peter near Freistadt, june 2020


Ever since the 1980s composing has played a central part in the creative work of Peter Androsch. Particularly in the area of musical theatre his particular fortitude in artistic creation can be seen, a strength that combines theatre, sound, and space: “Peter Androsch composes in the same way that Man Ray created his first Dada piece”, says Wolfgang Schlag in the Pasticcio in the cultural program of OE1 in 2007.



After extensive touring in his younger days (tours through Austria, East- and West Germany, Switzerland, Spain, Yugoslavia, Hungary, Belgium, Italy, Portugal, USA, and Africa) actively playing has become an integral part in Peter Androsch’s work once again. Together with his colleagues Didi Bruckmayr and Bernd Preinfalk he regularly plays contemporary chamber music as “Dr. Didi”.

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Peter Androsch has dubbed his sound-writings Phonographies. What originally began as the creation of more or less dense landscapes of writing by layering his own musical manuscripts, has developed into creating sound-paintings based on the musical scores, manuscripts, sketches, and typescripts of other artists.

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The concept for the Hörstadt was developed in 2006 as a central piece in the musical department of the cultural capital of Europe of 2009 in Linz, of which Peter Androsch was the head. It was conceived as a laboratory for acoustics, space, and society, and so the Hörstadt was able to develop new methods such as  anthropological acoustics and inclusive acoustics. Its central concern is designing the acoustic surroundings as humanely as possible.

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→ Composing

→ Playing

→ Hörstadt

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